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She is also terrifyingly calm and composed, never raising her voice, so as not to draw away her prey. She is shown to be very knowledgeable and intellectual, being precisely aware of how Shere Khan came to hate Man and how Mowgli even came to be an adopted cub with the wolves.
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She is extremely manipulative, duplicitous and persuasive, using her hypnotic eyes and compellingly seductive voice to lull her prey into a false sense of security incredibly effectively. In this incarnation, Kaa is far more menacing and intelligent than her cartoon counterpart. However, during the end credits, she is still alive and heard singing her song " Trust in Me", though this could simply be the music of the ending credits. Kaa is not seen again for the rest of the film it is unknown if Baloo infrequently killed her or she went away and never came back. During her storytelling, she attempts to devour him, but a passing sloth bear named Baloo attacks Kaa and successfully rescues Mowgli, freeing him in the process. She also reveals to him the power of the "Red Flower" (also known as fire) and its dangers in her vision. Luring him in by promising to keep him safe, Kaa hypnotizes him and reveals that Mowgli came to live in the jungle because Shere Khan killed his father as they were traveling between villages, and that Bagheera later found Mowgli and brought him over to the wolves for protection. After climbing into the trees and chasing animals that stole his food, Kaa begins to speak to him from above the trees before revealing herself to him. Kaa first appears when Mowgli stumbles upon her territory deep in the forest after he is separated from Bagheera by the villainous tiger named Shere Khan, where he discovers her shed snakeskin. She was voiced by Scarlett Johansson in motion capture in her first villainous role. She is also based off her original incarnation of the same name. She is an enormous anthropomorphic Indian python who tries to eat the man-cub Mowgli. Kaa is a supporting antagonist in the 2016 Disney live action film The Jungle Book, a remake of the 1967 animated classic film of the same name. You want to stay in the jungle? You can be with me if you want. Would that be alright? I'll keep you safe, just you and me, sweet thing." Kaa: "I can stay with you until he gets here. Oh no don't be scared, I'm not gonna hurt you." It's one of those movies that somehow never gets stale and always manages to entertain despite its shortcomings.Kaa:: "Hi, little cub. I could go on but suffice it to say that watching this movie from time to time is sorta like taking a warm bath in the dead of winter. 4) The great supporting turns from Eli Wallach and Lou Gossett, Jr. As a 13 year old boy, I can assure you that she made a pretty indelible impression on me.
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What an amazing run he had over the last five years of his life, highlighted by THE STING in '73, THE TAKING OF PELHAM 1-2-3 in '74, JAWS in '75, BLACK Sunday in '76 and THE DEEP in '77. While his performance is slightly overbaked (while also channeling and lazily riffing on Quint), his performance still manages to be larger than life - the delightful glue that keeps this movie together. All the Bermuda based location work in this movie is top notch, adding a rich and handsome texture to the otherwise middling narrative. For all its flaws, allow me to wax poetic about the many virtues of this sublime cinematic guilty pleasure: 1) That amazing opening aerial montage of Bermuda - maybe the greatest opening establishing shot in the history of cinema. For me, THE DEEP is JAWS-lite - a kind of melodramatic, soap-opery version of JAWS. In spite of its many shortcomings (lazy direction, over-the-top acting, gratuitous violence, to name a few), you really HAVE to love this movie! Two years removed from the sensational release of JAWS, THE DEEP in many ways had some very big shoes to fill.